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Berlin Film Festival 2025: All Of Deadline’s Movie Reviews

    The Berlin Film Festival kicked off its 75th anniversary edition February 13 with the opening-night world premiere screening of The Light, Tom Tykwer’s politically charged film that takes stock of German society in the first quarter of the 21st century. It starts 11 days of debuts including for movies starring Jessica Chastain, Ethan Hawke, Margaret Qualley, Rupert Friend, Marion Cotillard, Rose Byrne, A$AP Rocky, Emma Mackey and more.

    The 2025 Berlinale runs through February 23.

    Keep checking back below as Deadline reviews the best and buzziest movies of the festival. Click on the titles to read the full reviews.

    Berlin Film Festival

    Section: Competition
    Director: Richard Linklater
    Cast: Ethan Hawke, Margaret Qualley, Bobby Cannavale, Andrew Scott
    Deadline’s takeaway: Richard Linklater’s Broadway chamber piece looks back to a lost time and mourns a lost soul in Lorenz Hart as the booze is about to consume him. In a bravura theatrical performance, Ethan Hawke makes the lyricist’s genius truly pathetic.

    ‘The Blue Trail’

    Berlin Film Festival

    Section: Competition
    Directors-screenwriters: Gabriel Mascaro, Tibério Azul
    Cast: Denise Weinberg, Rodrigo Santoro, Miriam Socarrás, Adanilo, Clarissa Pinheiro
    Deadline’s takeaway: Set aglow by the earthy force of Denise Weinberg as Tereza, The Blue Trail posits a river trip as a path to freedom, and its unpreachy warmth — despite occasional lags in momentum — offers refreshing rewards.

    ‘Girls on Wire’

    L’Avventura Films

    Section: Competition
    Director-screenwriter: Vivian Qu
    Cast: Liu Haocun, Wen Qi, Zhang Youhao, Zhou You, Peng Jing
    Deadline’s takeaway: Surprisingly gritty study of people left behind or living in the margins fuses gangster realism with social drama and leavens both with a dash of unexpected humor. The subtext of Girls on Wire is more powerful than what passes as the plot.

    Jessica Chastain in 'Dreams'

    ‘Dreams’

    Teorema

    Section: Competition
    Director-screenwriter: Michel Franco
    Cast: Jessica Chastain,  Isaac Hernández, Rupert Friend, Marshall Bell
    Deadline’s takeaway: Michel Franco’s skewqering of woke hypocracy is thuddingly obvious, both at the level of metaphor — as a fable of North-South exploitation, which is one of Michel Franco’s stated purposes — and as a drama of thwarted love.

    Emma Mackey and Fiona Shaw in 'Hot Milk'

    ‘Hot Milk’

    Nikos Nikolopoulos / MUBI

    Section: Competition
    Director-screenwriter: Rebecca Lenkiewicz
    Cast: Emma Mackey, Fiona Shaw, Vicky Krieps, Vincent Perez, Patsy Ferran
    Deadline’s takeaway: The complex dependencies and jealousies between mothers and daughters are not exactly virgin territory, but the book’s author Deborah Levy and Lenkiewicz have a tough take on the way the mother’s sins are visited on her child that is frank and fresh enough to make us gasp.

    ‘The Ice Tower’

    3B Productions

    Section: Competition
    Director: Lucile Hadžihalilović
    Cast: Marion Cotillard, Clara Pacini, August Diehl, Gaspar Noé, Marine Gesbert
    Deadline’s takeaway: The Ice Tower is full of brilliantly conceived and rendered pathways that end in cul-de-sacs; it is beguiling, but hardly satisfying. While it is always a pleasure to watch Marion Cotillard piece together a character, and it’s pleasure just to look at her, it’s not enough. 

    Sam Riley in 'Islands'

    ‘Islands’

    Protagonist

    Section: Special Gala
    Director: Jan-Ole Gerster
    Cast: Sam Riley, Stacy Martin, Jack Farthing, Dylan Torrell
    Deadline’s takeaway: Despite the subtropical trappings, the main character Tom’s stasis has a fundamental ordinariness, and that turns his trouble in paradise into a more universal call to stop sleepwalking through life.

    ‘Late Shift’

    Berlin Film Festival

    Section: Special Gala
    Director:-screenwriter: Nadia Fall
    Cast: Leonie Benesch, Sonja Riesen, Urs Bihler, Margherita Schoch, Jürg Plüss
    Deadline’s takeaway: Petra Volpe’s busy, urgent cancer-ward procedural moves like a thriller and is exactly what it says it is: a shift in the life of a nurse, a pile of incidents encountered at speed. And through it all, there is a sense of imminent danger.

    ‘The Light’

    X Filme

    Section: Out of Competition (Opening Night)
    Director-screenwriter: Tom Tykwer
    Cast: Nicolette Krebitz, Lars Eidinger, Tala Al-Deen, Elke Biesendorfer, Julius Gause
    Deadline’s takeaway: Beware novel psychological therapies from Austria: You never know where they may lead. Tom Tykwer tests Germany’s white liberal guilt, but why it has to be so long is as much of a puzzle as the workings of the light therapy. It is surprisingly watchable, though. — SB

    'Living The Land'

    ‘Living the Land’

    Floating Light (Foshan) Film and Culture

    Section: Competition
    Director-screenwriter: Huo Meng
    Cast: Wang Shang, Zhang Yanrong, Zhang Chuwen, Zhang Caixia
    Deadline’s takeaway: Rather than a static tribute to the countryside, Huo’s lovely roving eye for composition and gentle hand with drama trace the challenges and enduring bonds among several hard-working generations of Chinese farmers, set during the 1990s in a country on the cusp of vast change. — NR

    A family walks down the middle of the street in a still from 'Olmo'

    ‘Olmo’

    Plan B

    Section: Panorama
    Director: Fernando Eimbcke
    Cast: Aivan Uttapa, Gustavo Sanchez Parra, Andrea Suarez Paz, Rosa Armendariz, Diego Olmedo, Melanie Frometa
    Deadline’s takeaway: At its heart, Olmo is a simple story about immigrants, coming of age, growing up, taking responsibility, love, friendship, a stereo, a barbecue, roller skates and above all family.

    'What Marielle Knows' review

    ‘What Marielle Knows’

    Section: Competition
    Director-screenwriter: Frédéric Hambalek
    Cast: Julia Jentsch, Felix Kramer, Laeni Geiseler, Mehmet Aleşçi, Moritz Treuenfels
    Deadline’s takeaway: It turns out Marielle knows a whole lot after suddenly developing telepathic abilities. It’s a good premise, and Hambalek plays it well by keeping it as natural as possible, minimizing the paranormal element and homing in on classic male/female behavior. But that’s the problem: It’s all rather too predictable,

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